Showing posts with label Singing our Lives. Show all posts
Showing posts with label Singing our Lives. Show all posts

29 January 2021

Can/Should Hermits Sing Office??

[[Dear Sister, I do have a question, or rather a question put to me by some people. My prayer-life is structured around the Liturgy of the Hours, which I chant/recite and sing out loud on my own. When hearing about how I pray the Hours vocally, the questioners (priests) could not get their heads wrapped around the fact that I could try and live a life of silence and then not pray the Hours silently(!). I think their surprise mostly has to do with how they perceive silence and the silent life. Their question has set me thinking. I am planning to give them an answer.

There are some points I want to address in my answer. - The difference between personal prayer and the prayer of the Church. - How the Church’s liturgy presupposes a holistic (non-dualistic) anthropology. Celebration/worship is therefore not just something cerebral or disembodied, but uses all our senses and physical, mental and emotional faculties, and sanctifies our entire person. - How silence can lead to song, and in fact is a prerequisite for true sound/song/speech/word/Word. - How the General Instruction on the Liturgy of the Hours speaks of moments of ‘Sacred Silence’ and in doing so therefore implies vocal prayer. - How although external silence is an important instrument in prayer-life, it does not determine and qualify the silence of solitude.

How would you react? What would be the points you would want to make clear? Perhaps you feel the Hours should indeed be prayed silently by a hermit? And if so, why? Are these suitable questions for a nice long blog-posting?! I hope so👌 If they are, there is no rush. First enjoy Christmas as well as enjoying rounding off your Mark-studies! (I have a another question up my sleeve, but will reserve that for 2021.....)]]

Many thanks for your question and your patience. We did finish the Gospel of Mark about a week and a half ago and are preparing to do the Gospel of Matthew now. But I have some weeks before that needs to be ready so here I am, finally getting to your question!!! Moreover, it's my Feast Day (Conversion of  St Paul in case I don't get this finished this evening) so it's a very good day to think and write about singing Office and the place of singing more generally in my own life!

 When I think of the way folks reacted to you I would be inclined to react myself by laughing a bit and commenting on how little hermits and their lifestyle are understood today (and have been all through history for that matter)! All of your points are fine; any complete response would include them or some version of them. (I have a quibble or question regarding your use of the term "qualify" in your observation on the silence of solitude and its relation to physical or external silence, but I get your main point and agree with that.) What seems especially important to me are your emphases on the whole person and the relation of physical  or external silence to Word; the distinction (and overlap) between physical silence and what canon 603 calls "the silence of solitude" is also critical. In order to speak about these important elements, I would contextualize them within a theology of the obedient life (the life of prayer) and of human being as a dialogical reality or language "event" which is meant and called to mediate the presence of the real God in space and time. So, does the silence of eremitical life prevent hermits from singing Office? Why or why not?

First of all then, I suppose I would not say that I live a life of silence so much as I live a life of prayer centered on God which is open, attentive, and responsive to God. More, I live this life within an ecclesial context of physical solitude. That, of course absolutely requires physical silence, but important as it is, the eremitical life is not primarily about silence. If your friends, for instance, believe that silence is the overarching value of your life or is something you value without reference to a larger reality, viz, the call to obedient life, it could lead  to their misunderstand the nature of eremitical life. On the other hand, if they understand that it is seeking or being open to God that is primary,  that we are committed to learning to listen for/to as well as to respond fully to the One who reveals Godself in Christ to/in every person as well as in the whole of creation, they might have a bit easier time understanding the relative importance of silence and too, the difference between physical or external silence and the silence of solitude. 

My first point would be then that in the eremitic life obedience is more primary than silence; silence serves obedience in the eremitical life, both in terms of listening and in terms of being appropriately responsive. Both dimensions are included in the Christian notion of "hearkening" or "obedience". Thus, precisely because silence serves obedience (as does physical solitude in this context), it means that other things can and will relativize the hermit's physical silence. This is especially true if these things also contribute not only to her prayer, but to becoming God's own prayer in the world.

This last week I was rereading Wencel's book on Eremitic Life and I came across a passage I had once marked: "To search for God means above all to enter the way faith and silence that releases the spring of prayer at the bottom of the human heart." I believe, though, that he would agree with me that once it is released, it may express itself in song. (It may also express itself in poetry, painting, music, writing, etc.) Wencel also identifies God as the original abyss of silence, and in the same sentence he refers to this same reality as a "song of love." Wencel understands the Mystery which is at the heart of eremitic life and finds no conflict in identifying the deepest silence one can know with the song of love it also is. He is not concerned about the paradox he has constructed here because he knows these two things held together in tension express a larger and ineffable truth. Prayer shares the same paradox and is moved by the same Mystery. Hermits know silence. They move in it and through it and look for it to help transform them into an expression of the "silence of solitude" -- something much richer than the sum of physical silence and aloneness. It seems to me then that as I point to and then celebrate the coming to be of that deeper, richer reality canon 603 calls  "the silence of solitude," it is entirely  appropriate, even necessary that one will often do so in song!

Another piece of my own thought on this is the notion that human beings are dialogical at their very core. We are, in Gerhard Ebeling's terms, "language events" --- brought into being by the Word/Logos of God and brought to ever greater maturity and articulateness by every lifegiving word spoken to us and every integral response we make. We are beings who are summoned into existence and called to ever greater authenticity and fullness of being by God and our lives are shaped by the way we hearken to this Presence. We begin our lives incapable of speech or of choosing our own direction or allowing God to shape our lives. Circumstances may keep us relatively incapable, relatively mute -- though at the same time they may wound us so seriously that we are little more than a defensive "No!" or a scream of anguish. When we are loved, however --- consistently, truly, and profoundly loved, more and more we will find our own voice and express the love that has called us to growing wholeness. 

Sometimes our expression of this true existence will be silence, but it will not be the silence of muteness. Rather it will be the silence of a heart too full of awe and gratitude to express with words. Other times we will (try to) find words for it and write poetry or prose commensurate with what we are trying (and always failing) to express. And sometimes it will be in music or song. This does not mean we only sing when we are joyful; sometimes what we sing will have the character of lament, for instance. What is always true is that as we respond to the prayer God is making of us, we use the form of response which best suits the situation and who we are at that moment in time. Just as we learn to pray our lives, so too do we learn to sing our lives. Again, it seems appropriate then that some of our prayer, but especially psalms and canticles be sung when that fits the circumstances.

I do sing Office (especially Compline or Night Prayer) --- unless I have a cold or (sometimes) am otherwise not feeling well. You are entirely correct that silence can lead to song and that it is a prerequisite to speech/word/ song. I remember in High School being taught in a music class that the rests (silences) in the music were as important as the notes because the rests helped transform noise into meaningful sound or music. The teacher pointed out that without rests (appropriate, measured silences) we would have only (meaningless) noise. If we are to become God's own prayers in our world, if we are to hear God and respond appropriately, then silence is critically necessary. We need silence to become an articulate expression of and response to God's own song of love. And if we are moved to sing in response, then sing we must. That is the way of genuine obedience; after all, c 603 hermits make vows of obedience, not silence!

I will leave this here for now. You have been more than patient and for right now this is all I have to add to the points you made so well. If I should think of something I left out I will add another post -- a kind of "part II" perhaps. I am well aware I have not spoken at all about the ecclesial nature of the consecrated hermit's vocation here and though there are a number of articles here about that, I well may need to do that as an enlargement on your own point re: private and liturgical prayer. At the same time I haven't said much here about the distinction between physical or external silence and the "silence of solitude" and I definitely may need to say more about that. Significantly, Canon 603 does not read "silence and solitude" but rather "the silence of solitude". The most important thing about it for the purposes of this post is that it is always richer than the apparent sum of its parts because eremitical solitude itself is not just about being alone, but about existing fully and integrally in an ongoing, active, dialogue with God (and all that is of God). In the meantime, I hope this finds you well and in good voice!!

21 August 2016

In God Alone




This may be a different and more challenging version of this chant than some are used to. The instruments improvising over the chant sometimes, even often, seem to miss the mark. And yet, under it all, grounding and giving coherence to every note --- if only we have the patience and trust to hear it --- is the profoundly stabilizing refrain or antiphon, [[ In God alone my soul can find rest and peace, In God my peace and joy, Only in God my soul can find its rest. Find its rest and peace.]]  As I listened this morning I found myself hanging onto the antiphon with a kind of fierceness during parts of this as I waited (and sometimes yearned intensely) for the improvising instrument to come to rest solidly again in the ground of the antiphon --- especially in the longer original recording.

So it is with us I think. We sing our lives improvising around this "theme" --- this internal antiphonal truth that sounds in our hearts; sometimes we seem to have journeyed so far as to have stopped listening and lost touch with it altogether --- though in our music-making we seek it still! And then, with patience, trust, and perseverance in our hearkening, we reconnect more clearly and come once again to that place of rest in God who alone makes sense of the whole of our lives --- even those bits which seemed to or may truly have lost touch with the Divine chant or "theme" grounding them.

For whatever else, the chant continues faithfully, unfailingly in a way which both shapes the improvisational journey and allows the player to finally come home once again despite the far and even foreign places to which they have traveled in the meantime: dissonances are resolved and the harmony of the whole is enriched with musical "stretches" and surprises that rather than troubling or disturbing us now delight and even move us with awe.